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Edition 2015
Films
Tributes and Retrospectives - Discover: Sara Driver
Late in 2012, Alexis Adler, a former partner of Jean-Michel Basquiat, revealed a set of objects created by the
American artist during the two years he lived at her house (1978/79). Teenage
Basquiat and the Scientist portrays the years of Basquiat's education, but
follows the controversial process of the discovery of the pieces as well.
A clip with around 30 minutes of this work
in progress will be screened. The session will include the presence of the
director, who will discuss her "work in progress" with the audience.
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Country:
United States of America -
Year:
2015 - 30’
Director
Sara Driver
Sara Driver is an independent director who was part of the creative wave in downtown Manhattan from the late 70’s to the 90’s. Driver rose in the cinema world when she produced two of Jim Jarmusch’s films, Permanent Vacation and Stranger Than Paradise, in which she also starred.
In 1981 she directed her first film, You Are Not I, based on a short story by Paul Bowles, which earned plenty of praise and was considered one of the best films of the 80s by the Cahiers du Cinéma. A fire in a warehouse destroyed the negatives and the film was thought to be lost for several years, but later a copy was found in Bowles’ archives.
She directed two other feature films, Sleepwalk (1986) and When Pigs Fly (1993), which were screened and received awards at several film festivals. Albeit not extensive, her work has been praised by important film critics and it was screened at LEFFEST in 2015.
In 1981 she directed her first film, You Are Not I, based on a short story by Paul Bowles, which earned plenty of praise and was considered one of the best films of the 80s by the Cahiers du Cinéma. A fire in a warehouse destroyed the negatives and the film was thought to be lost for several years, but later a copy was found in Bowles’ archives.
She directed two other feature films, Sleepwalk (1986) and When Pigs Fly (1993), which were screened and received awards at several film festivals. Albeit not extensive, her work has been praised by important film critics and it was screened at LEFFEST in 2015.