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Lisbon & Estoril Film Festival

Archives

Edition 2018

Films

Tributes - João Botelho

Crew:

Director: João Botelho
Screenplay: João Botelho
DOP: João Ribeiro
Production: Ar de Filmes

Anquanto la Lhéngua fur Cantada

A film by João Botelho

Back
Anquanto la lhéngua fur cantada (“while the language is sang”), the people won’t die. Miranda’s plateau, unique in language, rich with people, geography and traditions that were originated in the beginning of times, has got a peculiar musical magnificence. Why not cross the plateau in the company of Catarina Wallenstein, “Madona”’s face, who sings like nobody, accompanied by Gabriel Gomes’ extraordinary accordion with a face of an angel, followed by the “Atenor” donkey with big red hair - perfect example of a mirandise donkey? Is there anything as heart touching as the polyphony of the Almas de Sendim’s singers?
  • Cast:

    Catarina Wallenstein e Gabriel Gomes, Paulo Meirinhos e alunos da Escola EB de Miranda do Douro, Ana Maria e Pedro Raposo, Aureliano Ribeiro
  • Original Title:

    Anquanto la Lhéngua fur Cantada
  • Country:

    Portugal
  • Year:

    2012
  • 52'

Crew:

Director: João Botelho
Screenplay: João Botelho
DOP: João Ribeiro
Production: Ar de Filmes

Director

João Botelho

João Botelho is a Portuguese director and screenwriter, born in 1949. His directorial debut in a feature-film happened with the drama Conversa Acabada, which had its world premiere at the Director’s Fortnight in Cannes, in 1982. Two films followed after that, Um Adeus Português (1985) and Tempos Difíceis – Este Tempo (1988), an adaptation of Charles Dickens’ Hard Times (1854) to a Portuguese context which won the FIPRESCI Prize in Venice. Botelho revisited the works of Almeida Garrett with Quem És Tu? (2000), which earned him the Mimmo Rotella Foundation Award in Venice, of Diderot with O Fatalista (2005), of Agustina Bessa-Luís with A Corte do Norte (2008), as well as Pessoa with Filme do Desassossego (2010). Inspired by the classic novel of the same name by Eça de Queirós, his 2014 feature Os Maias became the most watched Portuguese film in theatres that year, exceeding 100 thousand spectators. He went on to direct O Cinema, Manoel de Oliveira e Eu (2016), his love letter to Manoel de Oliveira, and two years later released the historical drama Peregrinação (2018). Throughout his 43-year-long career, Botelho’s films have been regularly screened in Cannes, Rome, Venice, Berlin, Belfort, among other festivals, where he was distinguished with several awards. His most recent film O Ano da Morte de Ricardo Reis (2020) adapts the iconic novel of the same name written by José Saramago.
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