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Edition 2019
Films

Tributes and Retrospectives - Christian Petzold
Crew:
Director: Christian Petzold
Screenplay: Christian Petzold, Harun Farocki
DOP: Hans Fromm
Production: Arte France, Schramm Film Koerner & Weber, Zweites Deutsches Fernsehen (ZDF)
Screenplay: Christian Petzold, Harun Farocki
DOP: Hans Fromm
Production: Arte France, Schramm Film Koerner & Weber, Zweites Deutsches Fernsehen (ZDF)
Petra works abroad as a thief to finance the studies of her younger sister Franziska in Germany. She makes a living by seducing men and then stealing from them.
The film shows the crushing weight of capitalism, and a life of crime as the only way of escaping it.
The film shows the crushing weight of capitalism, and a life of crime as the only way of escaping it.
-
Cast:
Constanze Engelbrecht, Nele Mueller-Stöfen, Richy Müller -
Original Title:
Die Beischlafdiebin -
Country:
Germany -
Year:
1998 - 85 min Subtitles PT
Crew:
Director: Christian Petzold
Screenplay: Christian Petzold, Harun Farocki
DOP: Hans Fromm
Production: Arte France, Schramm Film Koerner & Weber, Zweites Deutsches Fernsehen (ZDF)
Screenplay: Christian Petzold, Harun Farocki
DOP: Hans Fromm
Production: Arte France, Schramm Film Koerner & Weber, Zweites Deutsches Fernsehen (ZDF)
Director
Christian Petzold

Christian Petzold is a German filmmaker, known as Hitchcock’s successor as master of suspense. In 2000, he directed his first feature-film, The State I Am In, a story about a couple of two German left-wing terrorists, that granted him several awards, of which the German Film Award for Best Film. His next three films premiered at the Berlin Film Festival: Wolfsburg (2003), in the Panorama section, where it won the FIPRESCI award, Ghosts (2005) and Yella (2007, in the official competition. Bárbara (2012) earned him the award for Best Director at the Berlin Film Festival. In the work of Petzold, filmmaker of the “Berlin School”, characters recurrently hide fundamental truths about themselves, thus finding their inner self continuously divided. In paranoia and anxiety, his films tackle forms of productivity and individuality habitual of the neoliberal economic model, questioning the “flexibility” of the labour world, without ever resorting to clichés. His most recent feature-film Undine (2020) won the Silver Bear for Best Actress (Paula Beer) and finds itself competing in the 2020 edition of LEFFEST.