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Lisbon & Estoril Film Festival

Archives

Edition 2020

Films

Special Screenings - CinemART

Crew:

Screenplay: Matthew Barney
Cinematography: Peter Strietmann
Production: Matthew Barney, Sadie Coles, and Barbara Gladstone

Redoubt

A film by Matthew Barney

Back
This experimental and visually stunning piece unfolds as a series of hunts in the wilderness of Idaho’s Sawtooth Mountains. Sharpshooter Diana and her attendants travel in pursuit of the mountain’s wolf. An engraver, a scientist and a hoop dancer take part in the story too. Through a mythological narrative, the characters pursue each other and their prey through dance. Movement replaces language and the line between protector and predator blurs. As a game of instinct that uses nature and the wild as its playground, Redoubt loosely adapts the classical myth of Diana, goddess of the hunt and of nature, and Actaeon, the trespassing hunter, into a complex portrait of the American landscape that questions humanity’s place in the natural world.
  • Cast:

    Anette Wachter, Eleanor Bauer, Laura Stokes, Matthew Barney, K.J. Holmes, Sandra Lamouche
  • Original Title:

    Redoubt
  • Country:

    United States of America
  • Year:

    2019
  • 134’ 4K Copy, 7.1 Sound, No dialogues

Crew:

Screenplay: Matthew Barney
Cinematography: Peter Strietmann
Production: Matthew Barney, Sadie Coles, and Barbara Gladstone

Director

Matthew Barney

Matthew Barney is an American contemporary artist. Born in 1967 in San Francisco, Barney graduated from Yale University and has since been creating work that fuses sculptural installations with performance and video art. Having played sports throughout all his youth, his vision is premised by the precision of physical effort and movement, as well as its erotic undertones so as to investigate the limits of the body and sexuality through different ritualistic performances. Barney is best known for his Cremaster series (1994-2002), a cycle of five visually extravagant films whose central focus is the male cremaster muscle, transfered into an alternate metaphorical world of symbols and mythology. His controversial work has been displayed at various international exhibitions, such as Documenta in Germany in 1992, the 1993 and 1995 biennial exhibitions at the Whitney Museum of American Art in New York, and the Aperto ’93 at the 48th Venice Biennale, for which he was awarded the Europa 2000 Prize. Barney has been distinguished with several other prestigious awards, such as the Guggenheim Museum’s Hugo Boss Prize in 1996 and the Golden Gate Persistence of Vision Award at the 54th San Francisco International Film Festival in 2011.
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