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Lisbon & Estoril Film Festival

Archives

Edition 2022

Films

Official Selection - In Competition

Festivals and Awards:

Cannes Film Festival 2022 - Official Selection in Competition
National Union of Italian Journalists 2022 - Best Film, Best Director, Best Screenplay, Best Actor (Pierfrancesco Favino) and Best Supporting Actor (Francesco Di Leva)

Crew:

Screenplay: Mario Martone, Ippolita di Majo, based on the novel of the same name by Ermanno Rea
Producer: Roberto Sessa
Cinematography: Paolo Carnera

Nostalgia

A film by Mario Martone

Back
Nostalgia is a 2022 movie based on the novel of the same name, written by Ermanno Rea. The film tells the story of Felice Lasco, who returns to his hometown of Naples to look after his sick and dying mother after 45 years spent between the Middle East and Africa. In Naples, some of the memories and people from his past are brought back to his life, including Oreste, a friend of the past, who has become a criminal.

Followed by a conversation with the director, in collaboration with the Istituto Italiano di Cultura and BeIT.
  • Cast:

    Pierfrancesco Favino, Francesco Di Leva, Tommaso Ragno, Aurora Quattrocchi, Sofia Essaidi, Nello Mascia, Emanuele Palumbo, Artem, Salvatore Striano, Virginia Apicella
  • Original Title:

    Nostalgia
  • Country:

    Italy, France
  • Year:

    2022
  • 117’ IT, Subtitles: PT, EN

Festivals and Awards:

Cannes Film Festival 2022 - Official Selection in Competition
National Union of Italian Journalists 2022 - Best Film, Best Director, Best Screenplay, Best Actor (Pierfrancesco Favino) and Best Supporting Actor (Francesco Di Leva)

Crew:

Screenplay: Mario Martone, Ippolita di Majo, based on the novel of the same name by Ermanno Rea
Producer: Roberto Sessa
Cinematography: Paolo Carnera

Director

Mario Martone

Director and Screenwriter, 1958, Italy. Mario Martone began his career in the theater and was one of the co-founders of the Neapolitan group Falso Movimento, in 1977, a leading contemporary avant-garde collective. Being interested in the dialogue between different artistic expressions since early in his career, the transition to cinema came naturally in the 1990s, through films like Rehearsals for War (1998) or the historical fresco We Believed (2010), Martone questioned the place of violence and art in society. His first feature-film, Morte di un Matematico Napoletano, was awarded the Special Jury Prize at the Venice Film Festival in 1992.
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